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	<title>Comments on: FirstCom</title>
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	<description>Music creators rating the music libraries.</description>
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		<title>By: Dan</title>
		<link>http://www.musiclibraryreport.com/e-to-g/firstcom/comment-page-2/#comment-12175</link>
		<dc:creator>Dan</dc:creator>
		<pubDate>Fri, 15 Apr 2011 13:24:00 +0000</pubDate>
		<guid isPermaLink="false">http://musiclibraryreport.com/?p=114#comment-12175</guid>
		<description>I received $1000 per track up front (advance) when I did CD&#039;s for them.  At first, the fees they charged recouped asignificant share of the advance, but after they sold to BMG/Universal the license fees are in the $2-5 range, and so license fee money doesn&#039;t buy a box of Kleenex.</description>
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		<title>By: Ingo</title>
		<link>http://www.musiclibraryreport.com/e-to-g/firstcom/comment-page-2/#comment-4804</link>
		<dc:creator>Ingo</dc:creator>
		<pubDate>Wed, 02 Jun 2010 10:56:25 +0000</pubDate>
		<guid isPermaLink="false">http://musiclibraryreport.com/?p=114#comment-4804</guid>
		<description>How do you get in contact with them to get this contract ?

and

do they pay upfront ( how much ?) - How is the deal ?</description>
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		<title>By: David Kowal</title>
		<link>http://www.musiclibraryreport.com/e-to-g/firstcom/comment-page-2/#comment-4689</link>
		<dc:creator>David Kowal</dc:creator>
		<pubDate>Thu, 27 May 2010 01:36:50 +0000</pubDate>
		<guid isPermaLink="false">http://musiclibraryreport.com/?p=114#comment-4689</guid>
		<description>I have a few CD&#039;s with FirstCom. My experience with them was first class all the way. Great company to write for!</description>
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		<title>By: Dave</title>
		<link>http://www.musiclibraryreport.com/e-to-g/firstcom/comment-page-1/#comment-736</link>
		<dc:creator>Dave</dc:creator>
		<pubDate>Tue, 06 Oct 2009 02:04:09 +0000</pubDate>
		<guid isPermaLink="false">http://musiclibraryreport.com/?p=114#comment-736</guid>
		<description>Thanks for clarifying that - it sounds like their deals are in line with the other major libraries (Killer, Megatrax etc)</description>
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		<title>By: Dave</title>
		<link>http://www.musiclibraryreport.com/e-to-g/firstcom/comment-page-1/#comment-735</link>
		<dc:creator>Dave</dc:creator>
		<pubDate>Tue, 06 Oct 2009 02:03:07 +0000</pubDate>
		<guid isPermaLink="false">http://musiclibraryreport.com/?p=114#comment-735</guid>
		<description>NW: usually, but not always... I have personally written for several small time trailer libraries that paid me a little upfront, and share the license fees 50/50 or 60/40.

Some  larger library companies have agreements with their composers to first re-coup the cost of recording live tracks, and then split the license fees once that amount is covered.

Always good to ask about the license fees when negotiating with a library company, unless the upfront fee is large enough to be able to walk away with some dignity ($1000 a track or more)</description>
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		<title>By: E.A.</title>
		<link>http://www.musiclibraryreport.com/e-to-g/firstcom/comment-page-1/#comment-728</link>
		<dc:creator>E.A.</dc:creator>
		<pubDate>Tue, 06 Oct 2009 01:01:17 +0000</pubDate>
		<guid isPermaLink="false">http://musiclibraryreport.com/?p=114#comment-728</guid>
		<description>My information did not lead me to believe there was any other opportunity for income aside from the $$ up front, and splitting the PRO royalties 50/50.</description>
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		<title>By: NW</title>
		<link>http://www.musiclibraryreport.com/e-to-g/firstcom/comment-page-1/#comment-719</link>
		<dc:creator>NW</dc:creator>
		<pubDate>Mon, 05 Oct 2009 16:57:42 +0000</pubDate>
		<guid isPermaLink="false">http://musiclibraryreport.com/?p=114#comment-719</guid>
		<description>&quot;Back end&quot; is synonymous with PRO royalties. I don&#039;t know what&#039;s being said here about license fees. Often when a library pays an up-front fee as mentioned here, there is no other share of license fees (but I don&#039;t know... E.A. needs to clarify) .

&quot;Split the back-end 50/50&quot; means a library takes the publisher&#039;s share of PRO (50%) and you the writer&#039;s share (50%).</description>
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		<title>By: Dave</title>
		<link>http://www.musiclibraryreport.com/e-to-g/firstcom/comment-page-1/#comment-649</link>
		<dc:creator>Dave</dc:creator>
		<pubDate>Sun, 04 Oct 2009 23:44:37 +0000</pubDate>
		<guid isPermaLink="false">http://musiclibraryreport.com/?p=114#comment-649</guid>
		<description>E. A. - can you be a little more specific about &#039;backend&#039;? Are you referring to just PRO royalties? Do you mean they give the standard deal of taking all the publishing and all of the license fees, or do they actually share the license fees?

Thanks!</description>
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		<title>By: E.A.</title>
		<link>http://www.musiclibraryreport.com/e-to-g/firstcom/comment-page-1/#comment-639</link>
		<dc:creator>E.A.</dc:creator>
		<pubDate>Sat, 03 Oct 2009 03:33:03 +0000</pubDate>
		<guid isPermaLink="false">http://musiclibraryreport.com/?p=114#comment-639</guid>
		<description>Info from an anonymous source says they pay $1000 up front and split backend 50/50.</description>
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		<title>By: s r dhain</title>
		<link>http://www.musiclibraryreport.com/e-to-g/firstcom/comment-page-1/#comment-183</link>
		<dc:creator>s r dhain</dc:creator>
		<pubDate>Wed, 09 Sep 2009 16:40:36 +0000</pubDate>
		<guid isPermaLink="false">http://musiclibraryreport.com/?p=114#comment-183</guid>
		<description>Hmm. You can try contacting them via the link below

http://www.firstcom.com/default.aspx?skiplaunchpage=yes

But again, there&#039;s no real open door for composers on the site. I did also think, as per Phil Kelly above, that they were heavyweights from the feel of the site, and this was BEFORE i noticed Phil&#039;s comments.</description>
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